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Samantha Chang

SAMANTHA CHANG

Part-Time Instructor

SAMANTHA CHANG SAMANTHA CHANG

PhD(c), University of Toronto; FTCL, Trinity College London; FLCM, London College of Music LRAM, Royal Academy of Music; PGDip, Royal Academy of Music

Pronouns: She/her

Samantha Chang is a part-time Instructor for EMSP 2215.03/EURO 2101/03 Violence and Wonder: Baroque Art.

Samantha is an art historian by day and a classical musician by night. Her research explores the conceptual relationships between visual arts and music in the early modern period, specifically artistic identity, temporality, synaesthesia, and performativity. Her current PhD research project examines the representation of music in the painter’s studio and is funded by a Joseph-Armand Bombardier Canada Graduate Scholarship (CGS) Doctoral Award, a Faculty of Arts & Science Top (FAST) Doctoral Fellowship and a Mary H. Beatty Fellowship.

A professional flutist and conductor, Samantha graduated from the Royal Academy of Music and is a fellow of the Trinity College London and the London College of Music.

In 2021, Samantha received the Course Instructor Teaching Excellence Award from the Teaching Assistants’ Training Program, Centre for Teaching Support & Innovation, University of Toronto and is currently a Faculty Liaison, Pedagogical Support, Teaching & Learning at the Faculty of Arts & Science.

PhD(c), University of Toronto
FTCL, Trinity College London; FLCM, London College of Music
LRAM, Royal Academy of Music; PGDip, Royal Academy of Music

Selected Publications

  • “Music and the Status of the Visual Artist: Italy and the Netherlands,” In Routledge Encyclopedia of Renaissance World (RERW), edited by Mónica Dominguez Torres. Oxfordshire: Routledge, forthcoming.
  • “Musical Self-Portraits by Garofalo, Anguissola, and Fontana,” In Music and Visual Culture in Renaissance Italy, edited by Tim Shephard, Sanna Raninen, and Chriscinda Henry. Forthcoming.
  • Music, Gender and the Erotic in Italian Visual Culture (Early Music Special Issue). Co-edited with Tim Shephard. London: Oxford University Press, forthcoming.