King’s Writing Workshops

Time to make your writing dreams come true!

King’s School of Writing and Publishing is offering eight non-credit writing classes this fall. Anyone can register and students of all experience levels are welcome. These online courses are non-credit (no homework or homework optional, no grades).

Come learn a writing craft topic or the specifics of writing for a particular genre with instructors who are qualified, published and award-winning, and who want to help you improve. You will practice and get feedback from your instructor and peers during in-class writing assignments.

Registration now open!

Register here

 


4-Week Courses

Writing a TV Pilot

The Art of Business Writing

Early bird price: $299 + HST | Regular price: $349 + HST

 


8-Week Courses

Writing for Young Adults

Writing Horror

From the Heart: Queer+ Nonfiction Writing

The Writer’s Workshop

Writing About Place and Memory: Writing about geography, roots and belonging

Early bird price: $549 + HST | Regular price: $599 + HST

 


Two-Weekend Workshop

The Foundations of Fiction: An Intensive Workshop

Early bird pricing: $549 + HST | Regular pricing: $599 + HST

 


Special Pricing: Members of the Writers’ Federation of Nova Scotia and University of King’s College students, staff, faculty, parents and alumni receive a discount of $50 on 8-week courses and $25 on 4-week courses!

Bursaries for students with financial need may be available. More information will be available soon.

Registrants can also choose to redirect fees they save through the Special and Early Bird Pricing to a bursary for students with financial need.

All courses are taught on Zoom and limited to 14 students.


 

Writing a TV Pilot with Wanda Taylor

4-Week Course: $349 + HST | $299 + HST before September 26
Wednesdays, 6:30 p.m.–9 p.m. ATL over Zoom
October 7–October 28

Register here

 

Writing a TV pilot requires more than just a great concept—although that is also important. For a pilot to be successful, it needs to set up specific key elements across a five-act structure. And each act needs to work together to accomplish the overarching goal of laying the groundwork for an entire season one and beyond. In this workshop, we will look at the five-act structure and those essential storytelling elements. We will also participate in screenplay exercises that stretch your creative muscles for the screen and get you thinking about how you would develop your own television series idea.

Wanda Taylor is an award-winning author, journalist, filmmaker and college professor. She is a former CBC TV producer and the author of 14 books. Wanda writes books across children’s, YA and adult markets. In her film and television work she has written hundreds of hours of content and two of her books have been adapted for the screen. She currently holds the position of the Rogers Chair in Journalism at King’s College and is a faculty mentor in the MFA Writing and Publishing program. She also works as a script editor for television projects in development, including the most recent series, Things Like These for Bell Fibre TV. As a journalist, Wanda holds bylines in numerous publications, including the Globe and Mail and Atlantic Books Today and her essays have been anthologized internationally. Her middle grade book, The Grover School Pledge, was the 2024 winner of the Northern Lights Book Award that recognizes literary excellence in children’s writing. Wanda’s next three books for young readers will be released in fall 2026 with Beech St Books and early 2028 with Kids Can Press. Wanda’s many awards for her body of work include the Women of Excellence Award for Arts and Culture.

The Art of Business Writing with Rob Csernyik

4-Week Course: $349 + HST | $299 + HST before October 23
Wednesdays, 6:30 p.m.–9 p.m. ATL over Zoom
November 4–November 25

Register here

 

Business news and feature stories help readers understand the society we live in and are one of the most marketable topics for professional writers. Yet comparatively few storytellers have the tools to produce authoritative, nuanced and stylish business and economic writing. This is because the beat can scare writers off with a false reputation for being dull, too dense to understand and full of complex number-crunching. Instead, business angles for every topic and the beat is exciting, constantly changing and rich with stories to cover. The best part? You don’t need an MBA to report on them. A few key insights and the right perspective are all you need to start.

Students in this class will learn tactics I use when producing award-winning business journalism for regional, national and international publications. This includes developing a business writer’s mindset, generating story ideas, navigating common documents and data sources, and identifying key business strategies companies use. Lessons will touch on the unique needs of different types of business writing including daily news, magazines, specialist publications, personal journalism—even op-eds.

This course is ideal for writers who want to explore a new beat, expand their skill sets and tell stories for business-savvy newspaper, magazine or book readers.

Rob Csernyik is an award-winning business and investigative journalist, a 2022 Michener-Deacon fellow and the author of A Losing Hand (Sutherland House). His bylines have appeared at Atlantic Business Magazine, Barron’s Penta, Corporate Knights, Pivot, Report on Business Magazine and Wired among others. He has also been a contributing opinion columnist for the Globe and Mail’s business section. Rob’s business journalism has been awarded prizes by several regional and national competitions including the Atlantic Journalism Awards, Digital Publishing Awards and the National Magazine Awards: B2B. He has an MFA in creative nonfiction from King’s and recently lived abroad for 2.5 years as a digital nomad.

Writing for Young Adults with Wanda Taylor

8-Week Course: $599 + HST | $549 + HST before September 24
Thursdays, 6:30 p.m.–9 p.m. ATL over Zoom

October 8–November 26

Register here

 

Storytelling for a teen readership is exciting and daunting all at the same time. But if you understand the needs and wants of this age group, including what (and how) they read, you can hook them. In this workshop we will look at the art of crafting great stories for the teen reader. We will also read and discuss excerpts from a few current YA authors to see what they did well. You will also have opportunities to share your current work in progress for feedback in a supportive environment.

Wanda Taylor is an award-winning author, journalist, filmmaker and college professor. She is a former CBC TV producer and the author of 14 books. Wanda writes books across children’s, YA and adult markets. In her film and television work she has written hundreds of hours of content and two of her books have been adapted for the screen. She currently holds the position of the Rogers Chair in Journalism at King’s College and is a faculty mentor in the MFA Writing and Publishing program. She also works as a script editor for television projects in development, including the most recent series, Things Like These for Bell Fibre TV. As a journalist, Wanda holds bylines in numerous publications, including The Globe and Mail and Atlantic Books Today and her essays have been anthologized internationally. Her middle grade book, The Grover School Pledge, was the 2024 winner of the Northern Lights Book Award that recognizes literary excellence in children’s writing. Wanda’s next three books for young readers will be released in fall 2026 with Beech St Books and early 2028 with Kids Can Press. Wanda’s many awards for her body of work include the Women of Excellence Award for Arts and Culture.

Writing Horror with Tiffany Morris

8-Week Course: $599 + HST | $549 + HST before September 25
Thursdays, 6:30 p.m.–9 p.m. ATL over Zoom

October 8–November 26

Register here

 

From supernatural scares to spine-tingling suspense, horror writing offers many opportunities to tell unique and unsettling stories. In this introductory workshop, we will examine the history of horror from past to present through different types of horror storytelling, with examples ranging from novels and short stories to newer forms of media like film, television, video games and TTRPGs. We will explore how common horror themes, plot structures and motifs build tension and dread to play with reader expectations. Through a combination of lecture and generative writing prompts, learners will have the opportunity to workshop their horror projects, collaborate on new work, write their own short form horror fiction and deepen their understanding of how the horror genre comments on and influences our world.

Tiffany Morris is an L’nu’skw (Mi’kmaw) writer from Nova Scotia. She is the author of the horror novella Carnalis (2026), as well as the Ignyte, Indigenous Voices, Shirley Jackson and Aurora award-nominated horror novella Green Fuse Burning, which won the 2024 Indie Ink Award for Indigenous Representation. Her work has appeared in the anthology Never Whistle at Night, as well as in Nightmare Magazine, Uncanny Magazinen and Apex Magazine, among others. She is a Director-at-Large for the Writers’ Federation of Nova Scotia, an MFA Mentor (Fiction) at King’s and one of the founding directors of The Trident Conference for Speculative Fiction.

From the Heart: Queer+ Nonfiction Writing

8-Week Course: $599 + HST | $549 + HST before September 25
Tuesdays, 6:30 p.m.–9 p.m. ATL over Zoom

October 6–November 24

Register here

 

“The empty ones are those who do not suffer their selfhood.” –Stanley Kunitz

For those of us of trans, queer, two-spirit, or LGBTQ experience, we know what it is like to have our stories marginalized, fetishized or ignored; or else lumped together by dominant culture in totalizing ways which fail to account for the unique and singular experiences that compose our lives and purviews. In this generative creative writing workshop, we will focus on words that give shape to what we know, embody and have lived through. Prepare to cramp up your writing hand, because we will generate a lot of ideas here. We’ll tease out a moment of personal significance and unfold it into a short piece for workshop that may serve as a springboard for development into a longer work of creative nonfiction.

Geared toward writers of all levels from LGBTQI2S communities (and our allies) who want to explore ways of rendering marginalized experiences into razor-sharp creative writing, this eight-week generative creative writing workshop will provide you with ample opportunity to generate new writing wrung from the hard-won knowledges of your own life. You will dig down through the basalt into the heart of your unique life experiences, uncover the unsayable, journey toward your personal hinterlands, tickle the uncomfortable edges and render this raw treasure into a short work of creative nonfiction. We will examine ways to uncover the “so what” of our own stories, as well as ways to avoid clichéd language and totalized representation. We’ll explore ways of rendering our own philosophical and ethical truths while avoiding the didactic. We’ll consider audience and its effects on our writing. We will engage in energetic, supportive, vigorous and compassionate discussion with fellow students and your facilitator on topics such as writing issues, craft points and cultivating a writing practice. We’ll discuss the ethical and personal considerations of using material from one’s own life, talk about writing from marginalized experiences that are not our own and how to delve past our own limitations while expanding our comfort zones.

Cooper Lee Bombardier is a queer, trans writer and visual artist based in Halifax/Kj’ipuktuk, Mi’kma’ki. He is the author of the memoir-in-essays Pass With Care, a finalist for the 2021 Firecracker Award in Nonfiction. His writing appears in The Kenyon Review, The Malahat Review, Ninth Letter, CutBank, Nailed Magazine, Longreads, Narratively, BOMB and The Rumpus; and in 19 anthologies, including the Lambda Literary Award-winning anthology, The RemedyEssays on Queer Health Issues and the Lambda-nominated anthology, Meanwhile, Elsewhere: Speculative Fiction From Transgender Writers, which won a 2018 American Library Association Stonewall Book Award. He is a two-time Lambda Literary Fellow and has received fellowships and support from the Canada Council for the Arts, Arts Nova Scotia, the Access Copyright Foundation, RADAR Labs, Regional Arts and Culture Council, Banff Centre for Arts and Creativity, and the Port Bickerton Lighthouse Residency. He teaches creative writing in the MFA in Creative Nonfiction program at King’s and at Dalhousie University.

The Writer's Workshop with Adrienne Gruber

8-Week Course: $599 + HST | $549 + HST before September 25
Thursdays, 6:30 p.m.–9 p.m. ATL over Zoom

October 8–November 26

Register here

 

Are you a creative nonfiction or fiction writer who’s looking for feedback on your work and for structured craft lessons on the art of giving and receiving feedback?

The Writer’s Workshop is an 8-week course for writers who are relatively new to the writing workshop and who are looking for:

  1. Community support from other writers;
  2. Professional guidance on giving constructive and useful feedback; and
  3. Strategies on using feedback in the revision process.

Come to this workshop with fiction or non-fiction pieces ready to be workshopped and be prepared to read and provide feedback on other students’ work.

Adrienne stands in a corner wearing a blue tank top with two seahorses kissing. She is a light-skinned female with a blond bob and she is wearing glasses. Adrienne Gruber is an award-winning author of three books of poetry, including Q & ABuoyancy Control and This is the Nightmare, and the creative non-fiction collection, Monsters, Martyrs and Marionettes: Essays on Motherhood. She won the 2015 Antigonish Review’s Great Blue Heron poetry contest, SubTerrain’s 2017 Lush Triumphant poetry contest, placed third in Event’s 2020 creative non-fiction contest and was the winner of SubTerrain’s 2023 creative non-fiction contest. Both her poetry and non-fiction have been longlisted for the CBC Books awards. She teaches and mentors in the University of King’s College MFA program and is a high school teacher at West Vancouver Secondary. Adrienne lives with her partner and their three daughters on Nex̱wlélex̱m (Bowen Island), B.C., the traditional territory of the Coast Salish peoples.

Writing About Place and Memory: Writing about geography, roots and belonging with Trina Chapman

8-Week Course: $599 + HST | $549 + HST before September 25
Wednesdays, 6:30 p.m.–9 p.m. ATL over Zoom
October 7–November 25

Register here

 

Every writer carries a connection to something from their past: a hometown, Grandma’s kitchen, a corner store or a meal that thrusts you back in time. During this workshop, you’ll use those tangible items as portals through which your sense of self and belonging can be excavated and then placed into building blocks to tell your stories.

In this workshop, you’ll discover how intimately memory, place and culture are intertwined. Revisiting the places you feel tethered to or the traditions your family has passed along to you will take you on a journey of writing that reflects your personal connections to these elements. Whether you grew up in one place or many, this workshop will help you find the stories embedded in the places and people that shaped you.

No previous writing experience necessary.

Trina Chapman’s essays have appeared in The Write Launch, Cool Beans Lit & Half and One. She won Honourable Mentions in the 2023 Writer’s Digest Annual Writing Competition and the 2025 Dreamer’s Creative Flash Nonfiction Competition. Trina holds a double bachelor’s degree in English and International Development Studies from the University of Guelph and an MFA from King’s. She has more than nine years of teaching experience, founded two schools and has lived in three countries. Her latest project is a memoir, entitled The Aster Glass: Violence, Revelation and Hope. Trina spends her free time paddleboarding on local lakes and obsessing over fermenting the perfect bottle of tepache. She is a repeat adopter of rescue dogs and lives with her family in Halifax, Nova Scotia.

The Foundations of Fiction with Genevieve Scott

Two-Weekends: $599 + HST | $549 + HST before October 23
October 31–November 1 and November 7–8 (Saturday & Sunday both weekends)
12:30 p.m.–5:30 p.m. ATL over Zoom

Register here

 

Discover (or rediscover) the fundamentals of fiction writing in a small, supportive group over two consecutive weekends. Whether you are making plans for National Novel Writing Month (NaNoWriMo), experimenting with a new story idea or wrestling with an older project, this workshop will build your toolkit and confidence.

Weekend One covers story ideas, character development, story structure, conflict and narrative perspective.

Weekend Two will move into dialogue, interiority, setting, scene work and pace. Each session will blend craft discussion with writing exercises, giving you a chance to apply new concepts and get words down right away. Sharing is optional.

Suitable for new writers and more experienced writers looking for review and practice. Class is limited to 12 students.

photo of Genevieve Scott, sitting at table, elbow on table, hand under chinGenevieve Scott (she/her) is a Canadian writer and writing teacher. Her most recent novel, The Damages, was published by Random House Canada in July 2023 and by Verve Books in the UK in 2024. Her first novel, Catch My Drift, came out in 2018 with Goose Lane Editions. Genevieve is currently editing her third novel, The Fortunate Ones, forthcoming in 2028 with Random House Canada. Genevieve holds an MFA in Creative Writing from the University of British Columbia. She teaches at the King’s in the Fiction MFA program and at the Laguna College of Art + Design in California. You can learn more about Genevieve at genevievescott.com.